Lan Wangji (蓝忘机) (
lightbearinglord) wrote2023-10-27 07:38 am
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[ open post: Lan Wangji, training ]
Lan Wangji is upside-down.
This is not unusual for him, although he is more used to practicing this in the company of students, his brother, or his husband.1 Recently, however, his mind has come up against more turmoil than he would prefer, and turmoil of a variety that is unusual for him. It can't go amiss to return himself to the basics of his training.
He is in a small enough room, largely bare aside from the stick of sandalwood incense2 he has set burning on a side table. Its scent drifts into the hallway, and anyone who follows it to the source may see a white-clad cultivator standing on his hands.
Well: standing on his hand. Lan Wangji needs one only to keep himself aloft, his body straight as an arrow. His hair is pulled into a ponytail so that it may pool off to one side over his neck and onto the floor rather than spilling in all directions, the long ends of his forehead ribbon tucked into the same tie and falling in the same way. He is in trousers and an undershirt of a decent heft, in deference to the fact that he is arguably in public.3
With the hand that is not currently holding him up, Lan Wangji is holding an ink brush. He is copying, from memory, the lines of a sutra.
1Wei Ying is not good at it. Particularly not in his second body.
2This may explain it to anyone who has been wondering why he always smells faintly of sandalwood himself.
3If he does this in their quarters, Wei Ying insists it must be done with nothing on his torso at all. Lan Wangji invariably becomes distracted. Now anyone else is welcome to distract him (in a different way, ideally).
This is not unusual for him, although he is more used to practicing this in the company of students, his brother, or his husband.1 Recently, however, his mind has come up against more turmoil than he would prefer, and turmoil of a variety that is unusual for him. It can't go amiss to return himself to the basics of his training.
He is in a small enough room, largely bare aside from the stick of sandalwood incense2 he has set burning on a side table. Its scent drifts into the hallway, and anyone who follows it to the source may see a white-clad cultivator standing on his hands.
Well: standing on his hand. Lan Wangji needs one only to keep himself aloft, his body straight as an arrow. His hair is pulled into a ponytail so that it may pool off to one side over his neck and onto the floor rather than spilling in all directions, the long ends of his forehead ribbon tucked into the same tie and falling in the same way. He is in trousers and an undershirt of a decent heft, in deference to the fact that he is arguably in public.3
With the hand that is not currently holding him up, Lan Wangji is holding an ink brush. He is copying, from memory, the lines of a sutra.
1Wei Ying is not good at it. Particularly not in his second body.
2This may explain it to anyone who has been wondering why he always smells faintly of sandalwood himself.
3If he does this in their quarters, Wei Ying insists it must be done with nothing on his torso at all. Lan Wangji invariably becomes distracted. Now anyone else is welcome to distract him (in a different way, ideally).
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"Good morning," he says mildly.
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He's too nervous to just go directly to Binghe about it. What if it doesn't work? But he can't just lock himself in his room about it for a test, because if he's not around people, how can he know if his attraction to them has changed? He needs somewhere semi-public, where he can experiment with people. Scientifically. Obviously.
He ducks into a silent room, noticing the lovely smell just too late. Like a distracted person in a horror film, he thinks, when he sees Lan Wangji, upside-down; the whole audience would have been throwing popcorn at the screen.
He takes exactly enough time to marvel at the unthinking strength it takes to hold a body like that up with a single arm while writing gracefully with the other before he bobs a terrified bow, mutters, "Hanguang-jun, apologies, I didn't realize the room was in use," and ducks right back out again.
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No matter. He is far from inclined to share polite conversation with the cultivator who defended Luo Binghe so strenuously. He resumes his calligraphic work.
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That done, he returns the bow with utmost correctness.
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"Oh," she says softly. "Sorry for interrupting."
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He sees Lan Wangji through the open door and pauses for a second, as if weighing the pros and cons of saying something, then shrugs his shoulders1 and pokes his head into the room. "Getting a workout in?"
1The results of the weighing: YOLO.
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"Training," he says shortly. Entirely straight-faced, he continues, "You may join me if you wish."
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She is accustomed to ignoring these episodes of ill health, inconvenient as they are. After all, no matter how much Nangong Jingnu might fret, what does it matter to Qi Yan if her lifespan is shorter than average? She has already lived much longer than she expected to; if she can leave Nangong Jingnu in a good position, it's already the fulfillment of her dearest hopes. But she does not want to die here, if there is any chance at all of returning. Her death is the only thing she could offer Nangong Jingnu to repay the debt she owes. She wishes now that she'd paid more attention to the imperial doctors, when they advised her on how to take care of her health. She knows she is meant to avoid cold and damp, but as to which ingredients or medicines they gave her in the past, she would simply swallow it without asking questions.
Of everyone she has met so far here, there has not been a single doctor, but there was one person who may have access to medicine. She was seeking Lan Wangji, but she did not expect to find him in such a position. Qi Yan has never met a scholar with such strength; she observes for a moment, stunned, before speaking.
"Young master Lan Wangji." She gives a bow. "May you forgive this scholar for the impolite interruption."
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Lan Wangji returns the bow. "Qi Yuanjun-xiansheng. There is no need to apologize."
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No matter. He tries again, this time using the wall to support his legs and keep him from toppling over so he can at least get a feel for the position.
*(He has never attempted a handstand before.)
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Without bothering to finish the character he had been writing, he leans his brush against his inkstone and flips back to a standing position. As he tugs his ponytail into a more convenient position for someone who is standing in the conventional fashion, he says, "Tell me."
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