Lan Wangji (蓝忘机) (
lightbearinglord) wrote2023-10-27 07:38 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
[ open post: Lan Wangji, training ]
Lan Wangji is upside-down.
This is not unusual for him, although he is more used to practicing this in the company of students, his brother, or his husband.1 Recently, however, his mind has come up against more turmoil than he would prefer, and turmoil of a variety that is unusual for him. It can't go amiss to return himself to the basics of his training.
He is in a small enough room, largely bare aside from the stick of sandalwood incense2 he has set burning on a side table. Its scent drifts into the hallway, and anyone who follows it to the source may see a white-clad cultivator standing on his hands.
Well: standing on his hand. Lan Wangji needs one only to keep himself aloft, his body straight as an arrow. His hair is pulled into a ponytail so that it may pool off to one side over his neck and onto the floor rather than spilling in all directions, the long ends of his forehead ribbon tucked into the same tie and falling in the same way. He is in trousers and an undershirt of a decent heft, in deference to the fact that he is arguably in public.3
With the hand that is not currently holding him up, Lan Wangji is holding an ink brush. He is copying, from memory, the lines of a sutra.
1Wei Ying is not good at it. Particularly not in his second body.
2This may explain it to anyone who has been wondering why he always smells faintly of sandalwood himself.
3If he does this in their quarters, Wei Ying insists it must be done with nothing on his torso at all. Lan Wangji invariably becomes distracted. Now anyone else is welcome to distract him (in a different way, ideally).
This is not unusual for him, although he is more used to practicing this in the company of students, his brother, or his husband.1 Recently, however, his mind has come up against more turmoil than he would prefer, and turmoil of a variety that is unusual for him. It can't go amiss to return himself to the basics of his training.
He is in a small enough room, largely bare aside from the stick of sandalwood incense2 he has set burning on a side table. Its scent drifts into the hallway, and anyone who follows it to the source may see a white-clad cultivator standing on his hands.
Well: standing on his hand. Lan Wangji needs one only to keep himself aloft, his body straight as an arrow. His hair is pulled into a ponytail so that it may pool off to one side over his neck and onto the floor rather than spilling in all directions, the long ends of his forehead ribbon tucked into the same tie and falling in the same way. He is in trousers and an undershirt of a decent heft, in deference to the fact that he is arguably in public.3
With the hand that is not currently holding him up, Lan Wangji is holding an ink brush. He is copying, from memory, the lines of a sutra.
1Wei Ying is not good at it. Particularly not in his second body.
2This may explain it to anyone who has been wondering why he always smells faintly of sandalwood himself.
3If he does this in their quarters, Wei Ying insists it must be done with nothing on his torso at all. Lan Wangji invariably becomes distracted. Now anyone else is welcome to distract him (in a different way, ideally).
no subject
There's a hopefulness, under his fond dismay. Claudius's first instinct was to control and manage the situation, but he could never control every angle, couldn't guard himself or even arrange help for Galahad. Galahad came to it himself, for a reason Claudius likely would've told him in the moment was unnecessary. Don't apologize to me, he would've said. But Galahad made his apology in flowers too beautiful and thoughtful not to accept. "He was sorry about how we parted ways," Claudius says, which is still a delicate elision on his part. He was sorry he didn't listen, didn't ask what I needed from him, with a righteous anger like he truly believed those were things I deserved. "I hope we'll treat each other well."
no subject
"I have no guidance to offer when it comes to guarding one's heart," he says, something like wry or faintly self-deprecating about it. He is, after all, the man who has loved one person only, hopelessly and stubbornly, since he was fifteen years old. "If you are happy, I share that happiness with you."
no subject
no subject
no subject
no subject
He can create new habits, however. He rarely makes straightforward invitations such as this; spending time with his brother or uncle came as a part of those old routines, unasked but expected, and he never asks before demanding, and then taking, Wei Ying's time and attention. That said, he looks back at Claudius and asks, "Will you let me serve you tea, as we take it in Gusu?"
no subject
no subject
He doesn't like to go far from his quarters when he's not in full Hanguang-jun attire, so it's not a long walk as he escorts Claudius to the chamber he's been sharing with Wei Wuxian. As previously stated1, there's a little bit of dissonance to the appearance of the fairly large room when he opens the door. It is still in the architectural style of the mansion, but most of the furniture and decor are reminiscent of the jingshi2, dark cabinetry and gauzy curtains around the bed and window and a low table where the two of them take meals. Lan Wangji nods toward that table to instruct Claudius to sit.
1In an above thread with Qi Yan, specifically.
2Here's a gif, because the typist is a little extra on the topic.
no subject
no subject
Speaking of sentimentality, he is still mildly irritable that he's lost access to all of his own tea supplies. The mansion has provided some in their stead, but some of those were his mother's. Are his mother's -- he will return one day, Lan Wangji reminds himself. Regardless, he sets out what he has: a bamboo tea tray, a ceramic tea caddy, a small round porcelain teapot, two small cups with blue patterning against white. He has a pitcher of water brought up from one of the many kitchens, and flips a heating talisman between two fingers against its side to stir the water within to boiling.
From the tea caddy, he draws a cake of tea, which he drops into the pot. The moment he pours the hot water into the pot, the aroma hits, a fresh green herbal scent.
no subject
no subject
For once, he takes it upon himself to break the silence. "This is nearly the same as a tea I used to purchase from Caiyi."
no subject
no subject
no subject
no subject
He won't succumb to arrogance and tell that, although it does make him nearly smile for a moment to recall Wei Ying's delight.
Instead, he plucks the teapot from its spot on the bamboo tray and leans forward to fill Claudius' cup, then back to fill his own. "The demon Crowley spoke to me," he says, and then pauses for a single beat. "Once the silencing spell I placed on him ran its course."
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
Once Claudius is done, he remains silent for a measure of time and takes his first slow sip of tea. "As you said," he notes, "they have an interesting balance. Complementary."
no subject
"There was a book of magic in the library here that foretold the future. Whether or not it comes true may be up to the person who reads it ... but I think the futures concerned those closest to one's heart. For Crowley, it said that he'd live one day with Aziraphale in a cottage in South Downs. Again, thou needst not know where South Downs is -- neither do I, but I hear it's a bucolic place."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)