Lan Wangji (蓝忘机) (
lightbearinglord) wrote2023-10-27 07:38 am
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[ open post: Lan Wangji, training ]
Lan Wangji is upside-down.
This is not unusual for him, although he is more used to practicing this in the company of students, his brother, or his husband.1 Recently, however, his mind has come up against more turmoil than he would prefer, and turmoil of a variety that is unusual for him. It can't go amiss to return himself to the basics of his training.
He is in a small enough room, largely bare aside from the stick of sandalwood incense2 he has set burning on a side table. Its scent drifts into the hallway, and anyone who follows it to the source may see a white-clad cultivator standing on his hands.
Well: standing on his hand. Lan Wangji needs one only to keep himself aloft, his body straight as an arrow. His hair is pulled into a ponytail so that it may pool off to one side over his neck and onto the floor rather than spilling in all directions, the long ends of his forehead ribbon tucked into the same tie and falling in the same way. He is in trousers and an undershirt of a decent heft, in deference to the fact that he is arguably in public.3
With the hand that is not currently holding him up, Lan Wangji is holding an ink brush. He is copying, from memory, the lines of a sutra.
1Wei Ying is not good at it. Particularly not in his second body.
2This may explain it to anyone who has been wondering why he always smells faintly of sandalwood himself.
3If he does this in their quarters, Wei Ying insists it must be done with nothing on his torso at all. Lan Wangji invariably becomes distracted. Now anyone else is welcome to distract him (in a different way, ideally).
This is not unusual for him, although he is more used to practicing this in the company of students, his brother, or his husband.1 Recently, however, his mind has come up against more turmoil than he would prefer, and turmoil of a variety that is unusual for him. It can't go amiss to return himself to the basics of his training.
He is in a small enough room, largely bare aside from the stick of sandalwood incense2 he has set burning on a side table. Its scent drifts into the hallway, and anyone who follows it to the source may see a white-clad cultivator standing on his hands.
Well: standing on his hand. Lan Wangji needs one only to keep himself aloft, his body straight as an arrow. His hair is pulled into a ponytail so that it may pool off to one side over his neck and onto the floor rather than spilling in all directions, the long ends of his forehead ribbon tucked into the same tie and falling in the same way. He is in trousers and an undershirt of a decent heft, in deference to the fact that he is arguably in public.3
With the hand that is not currently holding him up, Lan Wangji is holding an ink brush. He is copying, from memory, the lines of a sutra.
1Wei Ying is not good at it. Particularly not in his second body.
2This may explain it to anyone who has been wondering why he always smells faintly of sandalwood himself.
3If he does this in their quarters, Wei Ying insists it must be done with nothing on his torso at all. Lan Wangji invariably becomes distracted. Now anyone else is welcome to distract him (in a different way, ideally).
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"Did I speak of Wei Ying that night?" he asks carefully. It would be unsurprising if he had.
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1This is probably true, but Lan Wangji is projecting a little bit. He's heard so many cruel men refer to his husband by birth name, as though he hasn't earned the dignity of the courtesy name that was given to him as recognition of his status and accomplishments, that he himself likes that name to come only from his own mouth.
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One could say that. When they were teenagers, Lan Wangji didn't yet know he was waiting. He knew only that he wanted something like he had never wanted anything before. During the war, he hoped that he was waiting -- waiting for Wei Ying to come to his senses, to return to the correct path and stop harming his body and mind. And after Wei Ying's death, he couldn't have known that he was waiting at all. There was nothing to wait for, until there was Mo Xuanyu and an old song on a bamboo flute.
Lan Wangji continues looking at Crowley, steadily. Speaking of waiting, that is what he is doing now, with the question Are you waiting for someone? at the edges of his expression.
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"It is possible," he says slowly, "to wait for someone who is right beside you."
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“I don’t think that’s the case. Aziraphale’s essentially been the same all 6000 years I’ve known him and there’s very little chance of him changing.”
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